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In quaaludes and red wine


links, ask, archive


wat… but slowdive’s cover is summer dope all the way

I don’t know it but I’ll go have a listen

I actually really dislike the song ‘some velvet morning’

Nancy Sinatra is incredibly annoying on it

suicidewatch:

The Velvet Underground “There She Goes Again”

(via vacare)

(1,674 plays)

“The house of Alexander McQueen has always blurred the line between immaculate tailoring and eccentricity, each season spinning a thread of intellectual fantasy. The story told within A/W13 menswear is that of mild mechanical horror, where English gentleman meets android.

Making its menswear debut in London, the show has set a bar in terms of construction and styling. The hair, styled by Guido Palau, was a masculine take on the 1920s shingle; a vampish, high-shine rigid style that referenced both Scott Fitzgerald and the well-tailored Englishman. This was repeatedly worn with a plastic mask and the dark, gothic make-up which has become a regular element of the McQueen aesthetic – a continuous nod to the Victorian Gothicism which brings a melancholic, cinematic shade to each collection.”

AnOther Magazine

cinoh:

Julia Dault
The Information (mega brush), 2011
Oil on pleather
61 1/2” x 42 1/2”
VIA

cinoh:

Julia Dault

The Information (mega brush), 2011

Oil on pleather

61 1/2” x 42 1/2”

VIA

(Source: mrkiki, via noshins)

fawnings91:

 

Guy Bourdin, Polaroids

fawnings91:

 

Guy Bourdin, Polaroids

(via efrafa)

people who analyze leonard cohen lyrics make me giggle

“the show must go on” by Queen kills me every time I listen to it 

I know I’m a sap but come on, he was dying and it’s so beautiful despite/because of that

that thing he does with his voice on the “does anybody know what we are living for” line

okay I can’t explain myself

go listen to it

bbook:

The caption that originally accompanied this image when it ran in LIFE: “Spiritual simplicity was Mies’ aim in designing the Illinois Tech Chapel. Maintaining the basic campus pattern, he insisted on flat-roofed rectangle but provided brick walls to give the chapel a sense of privacy and solitude. Steel mullions of the facade echo shape of the cross above the altar.”

bbook:

The caption that originally accompanied this image when it ran in LIFE: “Spiritual simplicity was Mies’ aim in designing the Illinois Tech Chapel. Maintaining the basic campus pattern, he insisted on flat-roofed rectangle but provided brick walls to give the chapel a sense of privacy and solitude. Steel mullions of the facade echo shape of the cross above the altar.”

(via wandrlust)

pomeray:

Hurt, 1972 (Joseph Szabo)

pomeray:

Hurt, 1972 (Joseph Szabo)